مفهوم و مظاهرعبادة الاسلاف في مصر في العصر البطلمي والروماني

نوع المستند : المقالة الأصلية

المؤلفون

1 کلية السياحة والفنادق – جامعة المنصورة

2 أستاذ الآثار المصرية القديمة المساعد کلية الآداب - جامعة المنصورة

3 أستاذ الآثار المصرية القديمة کلية الآثار و الارشاد السياحي – جامعة مصر للعلوم و التکنولوجيا

المستخلص

تعتمد عبادة الاسلاف فى الاساس على عنصرين اساسين هما الترابط العائلى و الاجتماعى وخاصة بالاجداد و الرغبة فى الوصول الى حالة انصاف الالهة کما هو فى معتقدات الديانةا اليونانية الرومانية. فتلک العبادة قد تکون وسيلة للتماسک الاجتماعى والاسرى. يتم توارثها عبر الاجيال .وذلک رغبة فى تخليد ذکراهم بعد الوفاة.وذلک من خلال الابناء والاحفاد. ومن هنا عرف کلا من اليونان و الرومان اهمية ان يکون هناک ورثه شرعيين اى اطفال يحملون اسم المتوفى حتى يضمن بقاء اسمه وعائلته وتخليد ذکراه. هذا بالاضافة الى زيارتة فى العالم الاخر وتقديم التقدمات والصلوات التى تساعده فى حياته فى العالم الاخر حيث الخلود. فتخليد ذکرى الاسلاف وهو يعتبر نوع من اطالة العمر بطريقة تتخطى الحدود البيولوجية.وهذا ما تتناوله الباحثة مع توضيح بعض من مظاهر تلک العبادة.

الكلمات الرئيسية


[1]  Mooren, L"1986 The Nature of the Hellenistic Monarchy." In Egypt and the Hellenistic World , edited by E. van 't Dack, P. van Dessel, and W. van Gucht, 205-240.
[1] Quaegebeur, J. 1989 "Egyptian Clergy and the Ptolemaic Cult." AncSoc 20 :93-113.
[1] Yoyotte, J. 1969 "Religion égyptienne et culture grecque à Edfu." In Religions en Égypte hellénistiquv et romaine , 121-141. Bibliothèque des centres supérieures specialisés, Université . . . de Strasbourg. Paris,
[1] Christina Riggs, 2002 Facing the Dead: Recent Research on the Funerary Art of Ptolemaic and Roman Egypt, American Journal of  Archaeology, Vol 106, No1, , pp 85-101
[1] Mack, J. (2003), The museum of the mind. London, British Museum Press85
 Or:Swatos, William H. (1998). Encyclopedia of Religion and Society. Rowman Altamira. p. 279
[1] Hassan Ahmed , New Funerary Stelae from Kom Abou Bellou,BIFAO.111, College of Arts King Khalid University for Girls, 2011
For more: Dhennin, S. Marchand, J. Marchand, A. Simony, «Prospection archéologique de Kôm Abou Billou/Térénouthis (Delta) 2014, p. 51-68.
Dhennin, D. Devauchelle, C. De Visscher, Gh. Widmer, «Kôm Abou Billou: sur la route de Memphis», Pour la Science 80, 2013, p. 72-76
Dhennin, « Térénouthis – Kôm Abou Billou : une ville et sa nécropole », BIFAO 111, 2011, p. 105-127.
[1] Burk, Walter (1985). Greek Religion. Blackwell Publishing. p. 55..
[1] Swatos, William H. (1998). Encyclopedia of Religion and Society. Rowman Altamira. p. 279
[1] Abdel Hafeez. 1983, "Excavations of Abou Bellou's Mound, started January 1979 [sic]", Annales du Service des Antiquités de l'Egypte LXV pp. 73-78
 For more: Abdel Hafeez .1985, Stèles funéraires de Kom Abou Billou (Editions recherche sur les civilisations, Paris).pp 21
El-Nassery, S.A.A.,1978, "Nouvelles stèles de Kom Abou Bellou," Bulletin de l'Institut Français d'Archéologie Orientale du Caire 78, 230-258.
[1] Doty, W. G., 2000. Mythography: The Study of Myths and Rituals (2nd Ed.). Tuscaloosa and London124
[1]  Frankfurter, D., 1998. Religion in Roman Egypt: Assimilation and Resistance. Princeto
[1] Austin, M. M.  1981 The Hellenistic World from Alexander to the Roman Conquest: A Selection of Ancient Sources in Translation . Cambridge,P,99
[1] Burstein, S. M. 1991 "Pharaoh Alexander: A Scholarly Myth." AncSoc 22 (): 139-145.
[1] Austin, C.1973 Comicorum graecorum fragmenta in papyris reperta . Berlin and New York.141
[1] Delia, D, Review of Greeks in Ptolemaic Egypt by N. Lewis. The International History Review 10.2 . (1988), P,309-311.
 
[1] Lewis, N. 1986, Greeks in Ptolemaic Egypt: Case Studies in the Social History of the Hellenistic World. Oxford,p62
[1]  Richter, Gisela M. A. 1938. "A Roman Funerary Monument." Bulletin of the Metropolitan Museum of Art, 33(4): pp. 103–105
[1]  Metropolitan Museum of Art. 1987. Greece and Rome. no. 90, pp. 120–21 , New York: The Metropolitan Museum of Art
[1]  Matz, Friedrich. 1882. Antike Bildwerke in Rom, mit Ausschluss der grösseren Sammlungen, Vol. 3. no. 3912, pp. 187–88 , Leipzig: Breitkopf & Härtel
[1] Holger Kockelmann, 2008, Praising the goddess: a comparative and annotated re-edition of six demotic hymns and praises addressed to Isis (Berlin; New York: Walter de Gruyter,).p81
[1]  Christina Riggs, Facing the Dead: Recent Research on the Funerary Art of Ptolemaic and Roman Egypt, American Journal of Archaeology, Vol 106, No1, Jan 2002, pp 85
[1]  Habachi, L. (1976), The Royal scribe Amenmose, son of Penzerti and Mutemonet: His monuments in Egypt and abroad. In J. H. Johnson and E. F. Wente (eds), Studies in honor of George R. Hughes. Chicago, Oriental Institute of the University of Chicago,84-86
Metropolitan Museum of Art. 1987. Greece and Rome. no. 90, pp. 120–21 , New York: The Metropolitan Museum of Art
[1] http://www.metmuseum.org/art/collection/search/561759 Amulet in form of human faceFrom Egypt, Northern Upper Egypt, Abadiya or Hiw, EEF excavations 1898–1899 )  99.4.49( 304 B.C.–A.D. 364
[1] Baines, J, Society, morality, and religious practice. In B. E. Shafer (ed.), Religion in ancient Egypt: gods, myths, and personal practice. Ithaca and London, Cornell University Press, (1991), p183.
Clère, J. J, Les chauves d’Hathor. Leuven, Peeters., (1995), p49
[1]  Baines, J. and Lacovara, P. (2002), Burial and the dead in ancient Egyptian society: respect, formalism, neglect. Journal of Social Archaeology 2, 11
[1] Reeves, Nicholas. Ancient Egypt, The Great Discoveries, a Year-by-Year Chronicle, Nicholas Reeves, (Thames and Hudson Ltd, London), c 2000. p 14-17
[1] summarised in: Judith A. Corbelli: 2006 , The Art of Death in Graeco-Roman Egypt, Princes Risborough ,p,121
[1] Schulz, Regine, Block Statue (PDF file). In Willeke Wendrich (ed.), UCLA Encyclopedia of Egyptology, Los Angeles,2011
[1] Pinch, G. (1993), Votive offerings to Hathor. Oxford, Griffi th Institute.340
Fowler, Robert (1995). Greek Magic,Greek Religion".Illinois Classical Studies. 20: 1–22
[1] Meskell, L. (2004), Object worlds in ancient Egypt. Oxford, Berg.73
Richter, Gisela M. A. 1938. "A Roman Funerary Monument." Bulletin of the Metropolitan Museum of Art, 33(4): pp. 103–5
[1]  Adams, Winthrope L in Bugh, Glenn Richard. ed. 2006 "The Hellenistic Kingdoms". The Cambridge Companion to the Hellenistic World. Cambridge: Cambridge University Press., p. 39
[1]Fowler, Robert (1995)."Greek Magic,Greek Religion".Illinois Classical Studies.20:1–22
[1] Thorndike, Lynn (1958). "On Democritus". A History of Magic and Experimental Science. New York: Columbia University Press. pp. 64–67. 
[1] Warden, J., 1996. ‘The Dead and the Quick: Structural Correspondences and Thematic Relationships in Propertius 4.7 and 4.8’, in Phoenix, Vol. 50
[1] Reinach, S., "Les Galates dans L'Art Alexandrian", MonPiot 18 (1910) , pp. 57 — 58
 
[1] Cartwright, C.R., ‘Egyptian mummy portraits: examining the woodworkers’ craft’, in Portraits and masks: burial customs in Roman Egypt, ed. M. Bierbrier, British Museum Press, London (1997) 106
Stanwick, Paul Edmund. 2003 Portraits of the Ptolemies: Greek Kings as Egyptian Pharaohs. Austin: University of Texas Press., p. 23
[1] Cartwright, C.R. and Middleton, A.P.,‘Scientific aspects of ancient faces: mummy portraits from Egypt’, British Museum Technical Research Bulletin 2 (2008) 59–66 ،Berman, Lawrence, Freed, Rita E., and Doxey, Denise. 2003 Arts of Ancient Egypt. Museum of Fine Arts Boston. . p.193
[1] Susan Walker (ed.): Ancient Faces. Mummy Portraits from Roman Egypt. New York, 2000. P,58 Three-dimensional funerary masks of painted plaster from Faiyum (1st century). Montreal, Musée des Beaux-Arts
[1] Spaabæk, L.R., ‘Deterioration and damage on encaustic mummy portraits’, in Decorated surfaces on ancient Egyptian objects, ed. J. Dawson, C. Rozeik and M.M. Wright, Archetype Publications, London (2010) 122–129
[1] Corcoran, L.H. and Svoboda, M., Herakleides: a portrait mummy from Roman Egypt, Getty Publications, J. Paul Getty Museum, Los Angeles (2010).
Richter, G. M. A. Portraits of the Greeks . Abridged and revised by R. R. R. Smith.
[1] Kemp, B. J. (2007), Tell el-Amarna, 2006–7 [South Tombs Cemetery]. Journal of Egyptian Archaeology,31-33
OR Stevens, A. (2006), Private religion at Amarna: the material evidence. Oxford, Archaeopress294
[1] Lloyd-Jones, H. 1990 Greek Comedy, Hellenistic Literature, Greek Religion, and Miscelanea . Oxford,p152
 
المراجع الاجنبیة المستخدمة فى البحث:
Abdel Hafeez .1985, Stèles funéraires de Kom Abou Billou (Editions recherche sur les civilisations, Paris).pp 21
Abdel Hafeez. 1983, "Excavations of Abou Bellou's Mound, started January 1979 [sic]", Annales du Service des Antiquités de l'Egypte LXV pp. 73-78
Adams, Winthrope L in Bugh, Glenn Richard. ed. 2006 "The Hellenistic Kingdoms". The Cambridge Companion to the Hellenistic World. Cambridge: Cambridge University Press., p. 39
Baines, J, Society, morality, and religious practice. In B. E. Shafer (ed.), Religion in ancient Egypt: gods, myths, and personal practice. Ithaca and London, Cornell University Press, (1991), p183.
Baines, J. and Lacovara, P. (2002), Burial and the dead in ancient Egyptian society: respect, formalism, neglect. Journal of Social Archaeology 2, 11
Burk, Walter (1985). Greek Religion. Blackwell Publishing. p. 55..
Cartwright, C.R. and Middleton, A.P.,‘Scientific aspects of ancient faces: mummy portraits from Egypt’, British Museum Technical Research Bulletin 2 (2008) 59–66 ،Berman, Lawrence, Freed, Rita E., and Doxey, Denise. 2003 Arts of Ancient Egypt. Museum of Fine Arts Boston. p.193
Cartwright, C.R., ‘Egyptian mummy portraits: examining the woodworkers’ craft’, in Portraits and masks: burial customs in Roman Egypt, ed. M. Bierbrier, British Museum Press, London (1997) 106
Christina Riggs, 2002 Facing the Dead: Recent Research on the Funerary Art of Ptolemaic and Roman Egypt, American Journal of  Archaeology, Vol 106, No1, , pp 85-101
Christina Riggs, Facing the Dead: Recent Research on the Funerary Art of Ptolemaic and Roman Egypt, American Journal of Archaeology, Vol 106, No1, Jan 2002, pp 85
Clère, J. J, Les chauves d’Hathor. Leuven, Peeters., (1995), p49
Corcoran, L.H. and Svoboda, M., Herakleides: a portrait mummy from Roman Egypt, Getty Publications, J. Paul Getty Museum, Los Angeles (2010).
Richter, G. M. A. Portraits of the Greeks . Abridged and revised by R. R. R. Smith. Ithaca, N.Y., and Oxford, 1984.———. The Portraits of the Greeks . 3 vols. London, 1965.
El-Nassery, S.A.A.,1978, "Nouvelles stèles de Kom Abou Bellou," Bulletin de l'Institut Français d'Archéologie Orientale du Caire 78, 230-258.
Fowler, Robert (1995). "Greek Magic, Greek Religion". Illinois Classical Studies. 20: 1–22
Habachi, L. (1976), The royal scribe Amenmose, son of Penzerti and Mutemonet: His monuments in Egypt and abroad. In J. H. Johnson and E. F. Wente (eds), Studies in honor of George R. Hughes. Chicago, Oriental Institute of the University of Chicago,84-86
Holger Kockelmann, 2008, Praising the goddess: a comparative and annotated re-edition of six demotic hymns and praises addressed to Isis (Berlin; New York: Walter de Gruyter,).p81
http://www.metmuseum.org/art/collection/search/561759 Amulet in form of human faceFrom Egypt, Northern Upper Egypt, Abadiya or Hiw, EEF excavations 1898–1899 )  99.4.49( 304 B.C.–A.D. 364
Kemp, B. J. (2007), Tell el-Amarna, 2006–7 [South Tombs Cemetery]. Journal of Egyptian Archaeology,31-33
Lewis, N. 1986, Greeks in Ptolemaic Egypt: Case Studies in the Social History of the Hellenistic World. Oxford,p62
Lloyd-Jones, H. 1990 Greek Comedy, Hellenistic Literature, Greek Religion, and Miscelanea . Oxford,p152
Mack, J. (2003), The museum of the mind. London, British Museum Press85
Matz, Friedrich. 1882. Antike Bildwerke in Rom, mit Ausschluss der grösseren Sammlungen, Vol. 3. no. 3912, pp. 187–88 , Leipzig: Breitkopf & Härtel
Metropolitan Museum of Art. 1987. Greece and Rome. no. 90, pp. 120–21 , New York: The Metropolitan Museum of Art
Metropolitan Museum of Art. 1987. Greece and Rome. no. 90, pp. 120–21 , New York: The Metropolitan Museum of Art
Mooren, L"1986 The Nature of the Hellenistic Monarchy." In Egypt and the Hellenistic World , edited by E. van 't Dack, P. van Dessel, and W. van Gucht, 205-240.
Pinch, G. (1993), Votive offerings to Hathor. Oxford, Griffi th Institute.340
Quaegebeur, J. 1989 "Egyptian Clergy and the Ptolemaic Cult." AncSoc 20 :93-113.
Reeves, Nicholas. Ancient Egypt, The Great Discoveries, a Year-by-Year Chronicle, Nicholas Reeves, (Thames and Hudson Ltd, London), c 2000. p 14-17
Reinach, S., "Les Galates dans L'Art Alexandrian", MonPiot 18 (1910) , pp. 57 — 58
Richter, Gisela M. A. 1938. "A Roman Funerary Monument." Bulletin of the Metropolitan Museum of Art, 33(4): pp. 103–105
Schulz, Regine, Block Statue (PDF file). In Willeke Wendrich (ed.), UCLA Encyclopedia of Egyptology, Los Angeles,2011
Spaabæk, L.R., ‘Deterioration and damage on encaustic mummy portraits’, in Decorated surfaces on ancient Egyptian objects, ed. J. Dawson, C. Rozeik and M.M. Wright, Archetype Publications, London (2010) 122–129
Stanwick, Paul Edmund. 2003 Portraits of the Ptolemies: Greek Kings as Egyptian Pharaohs. Austin: University of Texas Press., p. 23
Stevens, A. (2006), Private religion at Amarna: the material evidence. Oxford, Archaeopress294
summarised in: Judith A. Corbelli: 2006 , The Art of Death in Graeco-Roman Egypt, Princes Risborough ,p,121
Susan Walker (ed.): Ancient Faces. Mummy Portraits from Roman Egypt. New York, 2000. P,58 Three-dimensional funerary masks of painted plaster from Faiyum (1st century). Montreal, Musée des Beaux-Arts
Swatos, William H. (1998). Encyclopedia of Religion and Society. Rowman Altamira. p. 279
Thorndike, Lynn (1958). "On Democritus". A History of Magic and Experimental Science. New York: Columbia University Press. pp. 64–67. 
Warden, J., 1996. ‘The Dead and the Quick: Structural Correspondences and Thematic Relationships in Propertius 4.7 and 4.8’, in Phoenix, Vol. 50
Yoyotte, J. 1969 "Religion égyptienne et culture grecque à Edfu." In Religions en Égypte hellénistiquv et romaine , 121-141. Bibliothèque des centres supérieures specialisés, Université . . . de Strasbourg. Paris,
 
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